Voices on the Page: Alan Simmons and the Yorkshire Sound
A tribute to one of choral music’s quiet pioneers – and the region that shaped him
When we sing together at Featherstone Male Voice Choir, we’re part of a tradition that’s been shaped not just by miners and millworkers, but by composers and arrangers who knew exactly how to write for voices like ours – full of heart, harmony, and history.
One of those voices behind the music is Alan Simmons – a name well known among choirs across Britain, and especially here in Yorkshire.
Born and raised in West Yorkshire, Alan Simmons is a composer and arranger whose work has had a transformative effect on the repertoire of male voice choirs. With over 400 published titles to his name, he’s known for making music that is approachable, expressive, and beautifully crafted for real singers – not just conservatoire-trained professionals.
Simmons began his career in music education, spending over three decades teaching before founding his own publishing company and focusing full-time on composition. From small community choirs to large competition ensembles, many groups have found their voice through his arrangements – songs that feel both fresh and familiar, challenging yet deeply singable.
He’s particularly loved for his sensitivity to male voices – capturing that unique blend of power and warmth that defines the male voice sound. Whether it’s a tender ballad or a rousing showpiece, Simmons writes with care, respect, and a real understanding of what makes choirs tick.
A region rich in harmony
Yorkshire has always punched above its weight when it comes to choral music. Alongside Simmons, the region boasts a number of respected composers and arrangers:
Tim Knight, based in Leeds, is a champion of accessible, contemporary choral music, and has written extensively for male voice choirs.
Philip Wilby, born in Pontefract, is best known for his brass and choral works, rich with drama and devotional depth.
Kenneth Leighton and Richard Shephard, both sons of Yorkshire, left behind deeply respected bodies of sacred and secular music.
Each has contributed in their own way to the soundtrack of our choirs, helping keep the tradition alive and moving forward.
At FMVC, we’re proud to sing their music. It’s through these arrangements that our heritage lives on – not just in the memories of past performances, but in the voices of every new member who walks through our doors and finds themselves part of something bigger.
If you’ve ever sat in the audience and been moved by a chord that seemed to hang in the air just a little longer – chances are someone like Alan Simmons had a hand in it.
